Stratified Social Structures

Month

May 2012

“I think the people behind this Popchips ad are not racist. I think they just made a racist ad, because they’re so steeped in our culture’s racism that they didn’t even realize they were doing it.” —

I don’t say this often, and I don’t say this lightly, but stop what you’re doing and go and read Anil Dash’s screed, How To Fix Popchips’ Racist Ad Campaign. It’s not what you’d expect. Because it would be easy to sound off about the thoughtless callousness and disrespect of an ad campaign that for absolutely no apparent reason depicts Ashton Kutcher dressed up in vaguely Indian garb and coming out with patter that might have seemed out of place in British comedies from the 1970s (which did a lot to perfect the art of casual racism). Easy, but unhelpful. Instead, Dash takes a hard look at the culture in which this type of “creative” output was ever deemed appropriate, and has tough words for all concerned. Most of all, he pleas for all of them to avoid the usual measures of crisis management. Dash writes, 

Those superficial corrections don’t change the process. Back at the office, the Chief Marketing Officer knows that all the people who hate that brand followed them on Twitter for the day to see how they’d respond, so they later crow to the CEO, “We got a 12% bump in social media metrics, looks like I get my bonus!” The PR firm says “Well, aside from the tiny minority of people who complained, we actually got a ton of media mentions, so I can still use this to pitch ourselves to our next client!” The advertising firm says, “We can still talk about making an ad that got millions of views on YouTube, and having worked on a multimillion dollar campaign for a national consumer brand”.

And the end result is, nothing actually changes. 

It’s absolutely true, and anyone reading it who’s had any kind of tangential experience of content creation or advertising or marketing or design or the twenty first century knows it’s so. Sometimes mea culpas that follow such gaffes are somewhat genuine, but let’s face it, we live in a society that exploits cynicism to an extraordinary degree. This piece calls for us to be more thoughtful, to think harder, to accept our personal limitations and to be prepared to have an honest discussion about the imperfect society in which we live. It’s a beautiful, thoughtful, heartfelt piece of writing that has completely made my day. Really. Go and read it. Now.

(via thoughtyoushouldseethis)

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To innovate: Associate unlike ideas → blogs.hbr.org
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“When I say what I’d like to see happening amongst black young people I’d like to see them stop blaming themselves for the set of circumstances in which they find themselves in. One of the things I really dislike is when black young people will say, “Well if we were more motivated or if we listened better in class”… I’ve just encountered so many privileged young white people who don’t do that to themselves. Who get high and come to class and become supreme court justices. Because they have the sense that they have the right as young people to fail sometimes, to be experimental, to be young, to move through the world. So I mean I think that’s part of it. I hate how much we police black young people and encourage black young people to police themselves.” —Melissa Harris-Perry

(via daniellemertina)

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“But most of all, stop thinking that what people so loathingly refer to as the “friendzone” is some sort of purgatory women put “nice guys” into. My friendship is not a crappy consolation prize that you’re left with if I deny you a sexual relationship– and my body is not your reward for good behavior.” —Taylor Callobre, The “Good Guy” Myth (via alionoftherock)
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bonus scene for us release info under the cut U G H YOU GUYS

ironfries:

doot doot

Read More

Okay, fuck it. I’m sold, gonna see this as a 5 dollar movie on friday. Maybe. Maybe monday, I’m not sure. 

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“As an only child, he went to movies alone, he said, “to be taken out of my place and transported to another world.” Years later, when people questioned why he appeared in one turkey or another, he would answer, “Because it was a movie I’d seen as a kid.” One such dud, a remake of “Shaft,” was so horrible that Jackson was said to have refused to recite his lines because they were written by a white man. “Not true,” he said, when I asked about the incident. “I changed his lines so they’d sound like a black man,” he said. When the author countered that those were the words he had written, according to Jackson, “I said: ‘Yes, and you got paid for them. Now let me make you sound brilliant.’ ” Jackson had to say “the corniest line I ever heard in my life and make it believable,” he told me, and then laughed before delivering it again: “It’s my duty to please that booty.” —

How Samuel L. Jackson Became His Own Genre - NYTimes.com

Confession - I remember really enjoying Shaft because it was fantastically campy.

This is a Samuel L. Jackson apprecation blog life.

(via thedisgruntledgradstudent)

oh my god that’s amazing

(via isabelthespy)

“It’s my duty to please that booty.” 

Yeah I can see why that line might be difficult to pull off.

(via zuky)

I remember that line. We knew it was a white writer as soon as he said it.

(via karnythia)

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